Press Release – Jesse Cook – Art Garfunkel – Robert Cray – Concord City Auditorium

Spectacle Management Presents


Jesse Cook
Tuesday, April 17 at 7:30pm

Art Garfunkel
Thursday, May 10 at 7:30pm

Robert Cray
Thursday, June 28 at 8pm

Concord City Auditorium

Tickets On Sale Friday at 10am

 

FOR IMMEDIATE RELEASE
JANUARY 22, 2018
CONTACT: DAN BERUBE, dberube@spectaclemanagement.net
PRESS PHOTOS
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Concord, NH – Spectacle Management is proud to announce a trio of shows at Concord City Auditorium in downtown Concord, NH. On Tuesday, April 17 at 7:30pm, Canadian guitarist Jesse Cook performs music from his latest album, “Beyond Borders.” Then on Thursday, May 10 at 7:30pm, legendary singer Art Garfunkel will grace the Audi’s stage. Finally, on Thursday, June 28 at 8pm, its Grammy award winning blues guitarist Robert Cray. Tickets for Jesse Cook on April 17, Art Garfunkel on May 10, and Robert Cray on June 28 at Concord City Auditorium go on sale Friday, January 26 at 10am at www.SpectacleShows.com or by calling 603-573-9122.

Jesse Cook

Jesse Cook

JESSE COOK
“Guitar virtuoso Jesse Cook is a walking embodiment of the gypsy music he plays: eclectic, energetic, and very exciting. Perhaps that is why he says that his music chose him, and not the other way around. After all, he does seem like the perfect candidate.” – The Star Online

Jesse will perform music from his new album “Beyond Borders” along with guest artists and instrumentation to be included in this tribute to Jesse’s diverse musical influences. “Beyond Borders” finds Jesse Cook looking outside to new horizons of music never before approached. It is introspective. It is energetic. It is everything you know of Jesse Cook and new growth that Jesse has discovered within himself. Come with Jesse on the journey of discovery.

Jesse Cook is a Canadian guitarist, composer, and producer. Widely considered one of the most influential figures in “nuevo flamenco” music, he incorporates elements of flamenco rumba, jazz & many forms of world music into his work. He is a Juno Award winner, Acoustic Guitar (magazine)’s Player’s Choice Award silver winner in the Flamenco Category, and a three-time winner of the Canadian Smooth Jazz award for Guitarist of the Year. He has recorded on the EMI, E1 Music and Narada labels and has sold over 1.5 million records worldwide.

Cook has recorded nine studio albums, three live DVDs and has traveled the world exploring musical traditions that he has blended into his style of rumba flamenco. In addition to headlining concerts and festivals, he has opened for such legends as B.B. King, Ray Charles and Diana Krall. He has performed with Welsh soprano Charlotte Church on The Tonight Show and toured with legendary Irish band, The Chieftains. http://www.jessecook.com/

Art Garfunkel

Art Garfunkel

ART GARFUNKEL
Art Garfunkel was originally revered for his Grammy-winning, chart-topping songs and albums with partner and fellow NYC native Paul Simon.  Their greatest hits collection, which includes “Mrs. Robinson,” “Scarborough Fair,” “The Sound Of Silence,” “The Boxer” and “Bridge Over Troubled Water,” among others, is one of the biggest selling albums ever.

After Simon & Garfunkel parted ways in 1970, Garfunkel landed several major film roles, including “Carnal Knowledge” (opposite Jack Nicholson), “Catch 22” and Nicholas Roeg’s “Bad Timing/A Sensual Obsession.”  His solo debut Angel Clare spawned the top 10 hit “All I Know.”  His other solo albums include Breakaway (‘75; features the hit “I Only Have Eyes For You”), Watermark(‘78; featuring “[What A] Wonderful World” with James Taylor and Paul Simon), Fate For Breakfast (‘79), Scissors Cut (‘81), The Animals’ Christmas (‘86), Lefty (‘88), Garfunkel (Greatest Hits, ‘88), Up Till Now (‘93), Across America (‘97), Songs From A Parent To A Child  (‘97), Everything Waits To Be Noticed (’03), Some Enchanted Evening (’07) and  The Singer (2012).

The late ‘80s brought two new challenges for Garfunkel: he published Still Water, a collection of poetry in ‘89, and began an amazing trek across America–on foot.  But the ‘80s and ‘90s found Garfunkel doing what he does best: singing for an audience.  “Taking on the fear and vulnerability of a live show keeps you vital,” says Garfunkel, who relishes the opportunity to perform new and classic material for fans around the world.  “I’m a singer trying to get away with a lucky job.  I try to soothe, to lift…That’s my life.”

Garfunkel earned his Bachelor of Arts degree at Columbia College, majoring in Art History; later he earned his Master’s Degree in Architecture at Columbia University.  He lives in New York City with his wife Kim.   Garfunkel is an avid reader and has chronicled every book he’s read since June 1968 on his website–-1,210 in all. www.artgarfunkel.com

Robert Cray

Robert Cray

ROBERT CRAY
Growing up in the Northwest, Robert Cray listened to the gospel of the Five Blind Boys of Mississippi, Bobby Bland’s soul, Jimi Hendrix’s rock guitar and the Beatles pop sounds. He would bring all of the influences into play throughout his career, but his teenage band was captivated by Southern Soul and the blues. “In the early days of the band we were getting back into O.V. Wright and paying attention to my favorite blues players; Buddy Guy, Otis Rush, Albert King and especially Albert Collins,” Cray says.

The Texas-born blues guitarist known as Master of the Telecaster, Albert Collins, sealed the deal on the Cray Band’s early direction. The musical highlight of Cray’s senior year was his class voting to bring Collins in to play a graduation party.

The glow of a career in music began when Cray was a teen, and in 1974 it burst into flames as the Robert Cray Band came together in Eugene, Oregon. How strong was the fire? “Richard and I didn’t own a vehicle, and we were staying with his girlfriend in Eugene. We hitched a ride to Salem, where our drummer Tom Murphy was going to school, to rehearse,” Cray recalls.

With the group’s 1980 debut release, Who’s Been Talkin’, word about the Cray Band began to spread across the Northwest and down into California. Playing packed bars and roadhouses the Cray Band was thrilling. Yes, fans could hear an Albert Collins guitar riff and a Howlin’ Wolf song but the sound was present. Blues and soul fans showed up religiously, but those steamy raucous sets also drew crowds whose tastes in music ranged from rock to funk and jazz.

Also among the Cray Band admirers were other musicians. John Lee Hooker put his appreciation into action. “The first time we played with Hooker was in Montana. We were opening the set and he was playing solo,” Cray recalls. “We’d never met him before but he just walked on stage and started playing with us. We dug the hell out of the guy, and after that we were friends.”

The Cray Band’s next two releases – Bad Influence and False Accusations – charted, taking the four-piece’s sound across the airways and abroad. The group was on a roll, but the players slept on couches. “We were just road rats,” Cray says with a chuckle. “We’d take a break for two weeks to record, then go back out. We didn’t have a house, a home, any of those responsibilities.” On one of those breaks Cray went into the studio with Collins and another great Texas guitarist and singer, Johnny Clyde Copeland, to record Showdown!, a CD that has become essential to any 80s electric blues collection.

It was the sounds of the blues and soul that first drew attention from artists in the rock arena. In an interview Eric Clapton gives his initial response to Robert Cray saying, “As a blues fan, we’re saved.” The Cray Band’s beginnings did bring the sounds of its mentors into the mainstream, even taking the music of John Lee Hooker, Etta James and Albert Collins to a larger, younger audience. But no one knew how broad the band’s audience would be until the Cray Band opened the ears of rock radio programmers. With the 1986 release of Strong Persuader the Cray Band’s tunes were put in heavy rotation on mega rock stations across the nation. The first hit, “Smoking Gun,” was followed by “I Guess I Showed Her” and “Right Next Door (Because of Me).” The Cray Band’s next two releases, Don’t Be Afraid of the Dark and Midnight Stroll, brought more radio listeners to record stores, increasing sales of the group’s CDs.

Following the path of fame taken by blues-based rockers like Johnny Winter and Stevie Ray Vaughan, Cray became a sensation, leading his band in concerts at large arena and rock festival. He was the first African American artist since Jimi Hendrix to rise to such fame in rock music. Was there a change in the band’s direction or had the blues arrived again into the mainstream after more than three decades of being forgotten by radio? “We were doing blues and Rand B from the first,” Crays says. “That’s just part of what we do. If you’re writing a tune it’s only natural to grab something from someplace else. You’re gonna put in some soul changes and some jazz, something you’ve been listening to. With what we do there’s a whole lot of room to move.”

Clapton’s admiration for Cray led to a writing collaboration on the hit “Old Love,” which featured Cray on guitar. A call came from Rolling Stone guitarist Keith Richards who asked him to be in the film he and Steve Jordan were producing about the rock guitarist Chuck Berry, “Hail! Hail! Rock ‘n’ Roll.” Concert footage in the film features Richards, Jordan, Clapton, Julian Lennon, Linda Ronstadt and Etta James. Cray performs “Brown Eyed Handsome Man” with Berry. Dressed in a baby blue tuxedo jacket, the young guitarist is the epitome of the tune’s title. Cray also performed on the Tina Turner TV special “Break Every Rule.”

During the 90s the Cray Band was featured in concert with artists like Clapton, the Stones, John Lee Hooker, BB King and Bonnie Raitt, who declared that the band leader is “an original; he’s passionate, he’s a bad ass and puts on one of the best shows you’ll ever see.”

Amidst these accolades, soaring record sales and a packed touring schedule the Cray Band recorded six CDs in the 90s. Cray produced Shame + A Sin, which referenced his blues roots, in 1993. It was followed by two more self-produced recordings, Some Rainy Morning and Sweet Potato Pie. Recorded in Memphis and featuring the famed Memphis Horns Sweet Potato Pie was the Cray Band’s most soulful album to date. The next recording Take Off Your Shoes delved even deeper into Memphis sounds of the 60s. “That was definitely a soul record,” Cray says. “I’d already been writing songs, Jim (Pugh, who was keyboards with the Cray Band from 1989 to 2014) was writing songs, leaning toward soul. Steve (Jordan, producer) heard them and put the icing on the cake.” Jordan, who subsequently produced the Cray Band’s In My Soul, Shoulda Been Home and the first CD in 4 Nights of 40 Years Live, also brought the personification of Memphis soul to the recording session, Willie Mitchell, to help with arrangements for the Memphis Horns. Mitchell discovered and first recorded Al Green along with other Southern Soul singers like Ann Peebles, O.V. Wright and Syl Johnson for the famed Memphis label Hi Records. When he arrived at the Cray recording session, he brought not only the Memphis presence but also a present. “Willie came over – he was wearing a gold jacket – and gave me this song, ‘Love Gone to Waste,’” Cray says. “Then we put some final touches on the CD at his studio in Memphis. It was a great opportunity to see Willie in the studio.”

Both on Take Your Shoes Off and 4 Nights of 40 Years Live, “Love Gone to Waste” showcases Robert Cray’s natural ease with soul ballads. He is intense but smooth in telling the story of love gone bad. Then in a falsetto voice he soars through the sadness into the inevitable pain. It is a song that Cray owns because no other singer has dared try to do it justice. Take Your Shoes Off won a Grammy in 2000.

In the next decade the Cray Band recorded seven CDs, three of them live, and two – Twenty and This Time – were nominated for Grammys. The group’s most recent recordings, Nothing But Love and In My Soul put the band back on the Billboard Charts. http://www.robertcray.com

TICKET INFORMATION
Tickets for Jesse Cook on Tuesday, April 17 at 7:30pm at Concord City Auditorium are $39-$59 and go on sale Friday, January 26 at 10am at www.SpectacleShows.com or by calling 603-573-9122.

Tickets for Art Garfunkel on Thursday, May 10 at 7:30pm at Concord City Auditorium are $59-$99 and go on sale Friday, January 26 at 10am at www.SpectacleShows.com or by calling 603-573-9122.

Tickets for Robert Cray on Thursday, June 28 at 8pm at Concord City Auditorium are $49-$69 and go on sale Friday, January 26 at 10am at www.SpectacleShows.com or by calling 603-573-9122.

CONCORD CITY AUDITORIUM
The Concord City Auditorium is a beautiful historic theater owned and held in trust by the City of Concord. The auditorium was built on the western side of City Hall in 1904, and recently restored with volunteer community support. The auditorium is located on 2 Prince St in Concord, NH and has served for 110 years as the home of the Capital Area’s community-based arts and entertainment. The theater house seats between 835 and 841, depending on the configuration of the orchestra seats. The orchestra has seating for 524 to 535 guests, including 9 wheelchair locations. There are 247 seats in the front balcony and 64 second balcony seats. The space is ADA accessible, including the restrooms. http://www.concordcityauditorium.org/index.html

SPECTACLE MANAGEMENT
Spectacle Management is a full-service booking, marketing and promotion company with offices in Boston and Lexington. For more information, please contact Pete Lally, plally@specmgt.com and 508-740-0981. www.spectacleshows.com

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